Tawaf is the final fragrance in my Arabian series. As the conclusion for this collection I have chosen to compose a fragrance that sings the very soul of the Arab people.
Tawaf is the name of the ritual consisting in circumambulations around the Ka’abah, the cube shaped building in Mecca, adorned with black silk.
The Ka’abah is the geographic center of the Arabian soul, of it’s spirituality, culture and civilisation.
The Tawaf fragrance is the aromatic “melody” of the scents that surround those performing the Tawaf.
It bring together the trails of Jasmine Sambac that pilgrims wear, the rose water poured from buckets to wash the white marble floor and the Oppoponax attar spread by the handful over the corners of the Ka’abah. These are the essences that comprise the new fragrance.
Other ingredients meaningful in the Arabic tradition are Narcissus and Myrrh.
The perfume is binary in structure, with a Jasmine accord intertwining with an Oppoponax accord in the same way those chinese silk fabrics display two different colours depending on how the light shines on them.
Because of the acoustic qualities of the “aromatic notes” I played in composing this perfume, the Tawaf melody became a symphony, and it is indeed the fragrance with which I am the most satisfied of all those that I have composed in the Arabian series.